±¹³»µµ¼
½Ã/¿¡¼¼ÀÌ
½Ã
Çѱ¹Çö´ë½Ã
2013³â 9¿ù 9ÀÏ ÀÌÈÄ ´©Àû¼öÄ¡ÀÔ´Ï´Ù.
Á¤°¡ |
14,000¿ø |
---|
12,600¿ø (10%ÇÒÀÎ)
700P (5%Àû¸³)
ÇÒÀÎÇýÅÃ | |
---|---|
Àû¸³ÇýÅà |
|
|
|
Ãß°¡ÇýÅÃ |
|
À̺¥Æ®/±âȹÀü
¿¬°üµµ¼(2)
»óÇ°±Ç
ÀÌ»óÇ°ÀÇ ºÐ·ù
Ã¥¼Ò°³
±è¿Õ³ëÀÇ µðÄ«½Ã
±è¿Õ³ëÀÇ µðÄ«½Ã´Â ¹æ¹ýÀÌ ¼±ÇàµÈ ¸¸µé¾îÁø ½Ã°¡ ¾Æ´Ï´Ù. ½Ã ÀÚüÀÏ »ÓÀÌ´Ù. ¼±½Ã(àÉãÌ)ÀÇ µ·¿À(ÔËçö)°¡ ½Çü·Î ³ªÅ¸³ª´Â °ßÀÚ(voyant)ÀÇ ÀÛ¾÷ÀÌ´Ù. ±× ¸Ç¸öÀÌ´Ù, ¡®Ç¬Å©Åù¡¯ÀÇ ½ÉÃþÀ» °É¾î ³»·Á°¡´Â ³î¶ó¿î À̹ÌÁö°¡ ÀÖ´Ù. ±×ÀÇ ½Ã´Â À帣ÀÇ °æ°è¸¦ ¶Ù¾î ³Ñ´Â ¡®½Ã¾ÈãÌäÑ¡¯ÀÌ ÀÖ´Ù(Á¤Áø±Ô ½ÃÀÎ).
ÃâÆÇ»ç ¼Æò
Kim WangNo¡¯s Dica poetry
DiCa-poetry of Wangno Kim is not such a poem made to take a precedence of a method. It is only poetry itself.
It is a work of voyant, that is to say the Epiphany(sudden enlightenment) of zen poetry appears as a substance. It¡¯s a naked body. There is a surprising image going down into the PUNCTUM¡¯s depths. There is an eye of poetry surpassing the border of genre in his poems.
- Jeongjingyu, the poet
¸ñÂ÷
½ÃÀÎÀÇ ¸» 4
Âüȸ Confession 12
°³²ÀÇ ¾Æħ The morning of Gangnam 14
â¹Û¿¡ ºñ The rain out of the window 16
·Ñ ¸ðµ¨ Role-model 18
»óóÀÇ Èû The power of an injury 20
À¯¿£ ÂüÀü ±â³ä°ü UN Memorial Hall of participation in a war 22
À̺° ±× ÈÄÀÇ ³¯µé The days after separation 24
µµ½Ã¿©Á¤ The city¡¯s journey 26
³ÇØÇÑ Áú¹® An Abstract question 28
¼¿ïÀÇ ¹ã A night of Seoul 30
°¥¸Á An earnest desire 32
¼Ò½Ç ±× ÈÄ Disappearance, after that 34
²É¿¡°Ô ºÎ²ô·´´Ù I am ashamed for the flower 36
À§´ëÇÏ´Ù It¡¯s great 38
¾Æ! ¿¾³¯ÀÌ¿© Ah! old days 40
¼¼¿ù The years 42
°Ü¿ï »ç¶û Winter love 44
ÇÏ´Ã The Sky 46
µµ½ÃÀÇ ¼Ò A cow of the city 48
µµ½ÃÀÇ ´« The eye of the city 50
¼û ½¬´Â µµ½Ã A breathing city 52
ų¸µÇʵå The killing Field 54
ºÀ¼âµµ½Ã Blockade city 56
°³² The Gangnam 58
ŸÀÓÆäÀ̽º The Time face 60
½Ç·ç¿§ The silhouette 62
¹¬³ä A silent tribute 64
ºÓÀº »ç¶û A red love 66
Àú ³ôÀº °÷À» ÇâÇÏ¿© On Upward Way 68
³Ê¹« ´ÊÀº ²Þ Long overdue dream 70
ÀÚ¶ó´Â ¿ïÀ½ A growing cry 72
°¡°íÆĶó, °¡°íÆÄ Gagopa, Wanna Go Home 74
óÇü µµ½Ã The city of execution 76
³» ¸¶À½Àº ¼ö¼ö My mind is millet 78
¾î¸Ó´Ï Àü»ó¼ 1 A letter to the mother 80
Àú³á ¹«·Æ Along toward evening 82
ÇÑ ¿©¸§ The whole summer 84
»ç½Ç The truth 86
ÈÀÌÆ® Ȧ·Î Into The White Hole 88
2016³â ¿©¸§ÀÇ µî The back of the summer 90
ºñ¿Â µÚ ºÄ¥ µÚ A few days later after the rain 92
ÀÚÈ»ó Ȥ È»ó The Portrait or Image 94
ºÓÀº ½ÅÈ£µî The red traffic light 96
ÇѾç´ëÇк´¿ø The Hanyang University Hospital 98
ÀÏħ An admonition 100
ÁÖüÀû ÀÚ¾Æ Subjective Self 102
´ëĪÀÇ Èû The power of symmetry 104
¾î¸Ó´Ï Àü»ó¼ 2 The letter to mother 2 106
µ¿Çà An escort 108
°ú¿å Unselfishness 110
Çؼ³ µðÄ«½Ã ¹®ÇÐÀÇ ÁøÈ / °¹Ì¶õ 112
ÀúÀÚ¼Ò°³
»ý³â¿ùÀÏ | 19571224 |
---|
1957³â 12¿ù 24ÀÏ °æºÏ Æ÷Ç×(¿¾ ¿µÀϱº µ¿Çظé ÀÏ¿ùµ¿) Ãâ»ý. °øÁÖ±³À°´ëÇб³ Çлç, ¾ÆÁÖ´ëÇб³´ëÇпø ¼®»ç. 1992³â ¸ÅÀϽŹ® ½ÅÃá¹®¿¹¿¡ ½Ã '²ÞÀÇ Ã¼ÀÎÁ¡' ´ç¼±, 6ÀÎ ½ÃÁý 'Ȳ±ÝÀ» ¸¸µå´Â Àӱݰú »õ¸¦ ¸¸µå´Â ½ÃÀÎ', 2002³â ½ÃÁý '½½Çĵµ ÁøÈÇÑ´Ù' 2006³â ½ÃÁý '¸»´Þ¸®ÀÚ ¾Æ¹öÁö', 2007³â ¹®È°ü±¤Ã¼À°ºÎ ÁöÁ¤ ¿ì¼ö±³¾çµµ¼ '¸»´Þ¸®ÀÚ ¾Æ¹öÁö' ¼±Á¤, 1995³â ´ÙÃþ¹®È»ó, 2000³â Áö³°èÀý ¿ì¼öÀÛÇ°»ó, 2003³â Á¦8ȸ Çѱ¹Çؾ繮Çдë»ó, 2006³â Á¦7ȸ ¹ÚÀÎȯ¹®Çлó, 2008³â Á¦3ȸ Áö¸®»ê¹®Çлó ¼ö»ó.
ÀúÀÚÀÇ ´Ù¸¥Ã¥
Àüüº¸±â»ý³â¿ùÀÏ | - |
---|
ÇØ´çÀÛ°¡¿¡ ´ëÇÑ ¼Ò°³°¡ ¾ø½À´Ï´Ù.
ÁÖ°£·©Å·
´õº¸±â»óÇ°Á¤º¸Á¦°ø°í½Ã
À̺¥Æ® ±âȹÀü
ÀÌ »óÇ°ÀÇ ½Ã¸®Áî
(ÃÑ 3±Ç / ÇöÀ籸¸Å °¡´Éµµ¼ 3±Ç)
½Ã/¿¡¼¼ÀÌ ºÐ¾ß¿¡¼ ¸¹Àº ȸ¿øÀÌ ±¸¸ÅÇÑ Ã¥
ÆǸÅÀÚÁ¤º¸
»óÈ£ |
(ÁÖ)±³º¸¹®°í |
---|---|
´ëÇ¥ÀÚ¸í |
¾Èº´Çö |
»ç¾÷ÀÚµî·Ï¹øÈ£ |
102-81-11670 |
¿¬¶ôó |
1544-1900 |
ÀüÀÚ¿ìÆíÁÖ¼Ò |
callcenter@kyobobook.co.kr |
Åë½ÅÆǸž÷½Å°í¹øÈ£ |
01-0653 |
¿µ¾÷¼ÒÀçÁö |
¼¿ïƯº°½Ã Á¾·Î±¸ Á¾·Î 1(Á¾·Î1°¡,±³º¸ºôµù) |
±³È¯/ȯºÒ
¹ÝÇ°/±³È¯ ¹æ¹ý |
¡®¸¶ÀÌÆäÀÌÁö > Ãë¼Ò/¹ÝÇ°/±³È¯/ȯºÒ¡¯ ¿¡¼ ½Åû ¶Ç´Â 1:1 ¹®ÀÇ °Ô½ÃÆÇ ¹× °í°´¼¾ÅÍ(1577-2555)¿¡¼ ½Åû °¡´É |
---|---|
¹ÝÇ°/±³È¯°¡´É ±â°£ |
º¯½É ¹ÝÇ°ÀÇ °æ¿ì Ãâ°í¿Ï·á ÈÄ 6ÀÏ(¿µ¾÷ÀÏ ±âÁØ) À̳»±îÁö¸¸ °¡´É |
¹ÝÇ°/±³È¯ ºñ¿ë |
º¯½É ȤÀº ±¸¸ÅÂø¿À·Î ÀÎÇÑ ¹ÝÇ°/±³È¯Àº ¹Ý¼Û·á °í°´ ºÎ´ã |
¹ÝÇ°/±³È¯ ºÒ°¡ »çÀ¯ |
·¼ÒºñÀÚÀÇ Ã¥ÀÓ ÀÖ´Â »çÀ¯·Î »óÇ° µîÀÌ ¼Õ½Ç ¶Ç´Â ÈÑ¼ÕµÈ °æ¿ì ·¼ÒºñÀÚÀÇ »ç¿ë, Æ÷Àå °³ºÀ¿¡ ÀÇÇØ »óÇ° µîÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·º¹Á¦°¡ °¡´ÉÇÑ »óÇ° µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì ·½Ã°£ÀÇ °æ°ú¿¡ ÀÇÇØ ÀçÆǸŰ¡ °ï¶õÇÑ Á¤µµ·Î °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì ·ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¼ÒºñÀÚ Ã»¾àöȸ Á¦ÇÑ ³»¿ë¿¡ ÇØ´çµÇ´Â °æ¿ì |
»óÇ° Ç°Àý |
°ø±Þ»ç(ÃâÆÇ»ç) Àç°í »çÁ¤¿¡ ÀÇÇØ Ç°Àý/Áö¿¬µÉ ¼ö ÀÖÀ½ |
¼ÒºñÀÚ ÇÇÇغ¸»ó |
·»óÇ°ÀÇ ºÒ·®¿¡ ÀÇÇÑ ±³È¯, A/S, ȯºÒ, Ç°Áúº¸Áõ ¹× ÇÇÇغ¸»ó µî¿¡ °üÇÑ »çÇ×Àº¼ÒºñÀÚºÐÀïÇØ°á ±âÁØ (°øÁ¤°Å·¡À§¿øȸ °í½Ã)¿¡ ÁØÇÏ¿© ó¸®µÊ ·´ë±Ý ȯºÒ ¹× ȯºÒÁö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼ÀǼҺñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÔ |
(ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º´Â ȸ¿ø´ÔµéÀÇ ¾ÈÀü°Å·¡¸¦ À§ÇØ ±¸¸Å±Ý¾×, °áÁ¦¼ö´Ü¿¡ »ó°ü¾øÀÌ (ÁÖ)ÀÎÅÍÆÄÅ©Ä¿¸Ó½º¸¦ ÅëÇÑ ¸ðµç °Å·¡¿¡ ´ëÇÏ¿©
(ÁÖ)KGÀ̴Ͻýº°¡ Á¦°øÇÏ´Â ±¸¸Å¾ÈÀü¼ºñ½º¸¦ Àû¿ëÇÏ°í ÀÖ½À´Ï´Ù.
¹è¼Û¾È³»
±³º¸¹®°í »óÇ°Àº Åùè·Î ¹è¼ÛµÇ¸ç, Ãâ°í¿Ï·á 1~2Àϳ» »óÇ°À» ¹Þ¾Æ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
Ãâ°í°¡´É ½Ã°£ÀÌ ¼·Î ´Ù¸¥ »óÇ°À» ÇÔ²² ÁÖ¹®ÇÒ °æ¿ì Ãâ°í°¡´É ½Ã°£ÀÌ °¡Àå ±ä »óÇ°À» ±âÁØÀ¸·Î ¹è¼ÛµË´Ï´Ù.
±ººÎ´ë, ±³µµ¼Ò µî ƯÁ¤±â°üÀº ¿ìü±¹ Åù踸 ¹è¼Û°¡´ÉÇÕ´Ï´Ù.
¹è¼Ûºñ´Â ¾÷ü ¹è¼Ûºñ Á¤Ã¥¿¡ µû¸¨´Ï´Ù.