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Introduction ¡¦¡¦¡¦ vii
Table of Dates ¡¦¡¦¡¦ xliv
Further Reading ¡¦¡¦¡¦ xlvii
Note of the Text ¡¦¡¦¡¦ liii
Marvell on Paradise Lost's ¡¦¡¦¡¦ lvi
PARADISE LOST
Book I ¡¦¡¦¡¦ 2
Book II ¡¦¡¦¡¦ 24
Book III ¡¦¡¦¡¦ 52
Book IV ¡¦¡¦¡¦ 73
Book V ¡¦¡¦¡¦ 101
Book VI ¡¦¡¦¡¦ 125
Book VII ¡¦¡¦¡¦ 150
Book VIII ¡¦¡¦¡¦ 167
Book IX ¡¦¡¦¡¦ 185
Book X ¡¦¡¦¡¦ 217
Book XI ¡¦¡¦¡¦ 247
Book XII ¡¦¡¦¡¦ 271
Notes ¡¦¡¦¡¦ 289
Ã¥¼Ò°³
¡®Better to reign in Hell, than serve in Heav¡¯n ¡¦¡¯
In Paradise Lost Milton produced poem of epic scale, conjuring up a vast, awe-inspiring cosmos and ranging across huge tracts of space and time. And yet, in putting a charismatic Satan and naked Adam and Eve at the centre of this story, he also created an intensely human tragedy on the Fall of Man. Written when Milton was in his fifties ? blind, bitterly disappointed by the Restoration and briefly in danger of execution ? Paradise Lost¡¯s apparent ambivalence towards authority has led to intense debate about whether it manages to ¡®justify the ways of God to men¡¯, or exposes the cruelty of Christianity.
John Leonard¡¯s revised edition of Paradise Lost contains full notes, elucidating Milton¡¯s biblical, classical and historical allusions and discussing his vivid, highly original use of language and blank verse.
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